Itna to zindagi mein kisi ki khalal padhe…… Kaise baazaar kaa dastuur tumhe.n samajhaauu.Nīik gayaa jo vo khariidaar nahii.n ho sakataa …
Ye vo duniyaa hai jahaa.N pyaar nahii.n ho sakataa Raakh barabaad muhabbat kii bachaa rakhii hai.nīaar-baar isako jo chhe.Daa to bikhar jaayegiiĪarazuu jurma vafaa jurma tamannaa hai gunaaha Khair ha.Ns ke na sahii ro ke guzar jaayegii Zi.ndagii ha.Ns ke na guzaratii to bahut achchhaa thaa Mai.n vo diladaar nahii.n usakii huu.N khaamosh chitaa Jisakii tasviir nigaaho.n me.n liye baiThaa ho Raakh ke Dher me.n sholaa hai na chi.ngaarii haiĪag yuu.N dil me.n lagii kuchh na rahaa kuchh na bachaa Jaane kyaa Dhuu.NDhatii rahatii hai.n ye aa.Nkhe.n mujhame.n Please enjoy one of Kaifi’s best: Jaane kyaa dhoondati rehati hain ye aankhen mujh mein…. This too has been set by Khaiyyam in Raag Pahadi in Tal Dadra.
SAUDAGAR SAUDAGAR DIL LELE DIL DEKAR LYRICS MOVIE
He is the handsomest man who ever joined Hindi movies and this song in his very first major movie brings out the intensity of his serious acting.īy this time, you would have already seen my bias towards the Raag of the hills, my home station, and I am not going to deny it. Hats off to Dharmendra that in his first major movie he should attempt such serious and sad role. Khaiyyam, who was known to give the gentlest of the music, made equally gentle music for these powerful lyrics of Kaifi Azmi. Kaise baazaar ka dastoor tumhen samjhaayun,īik gaya jo woh khareeddaar nahin ho sakta. Pay particular attention to the last lines:
This song brings out the feelings of Ravi (Dharmendra) so well in such simple words. The film, directed and written by Ramesh Saigal was about a young man (my namesake Ravi played by Dharmendra) torn between love for his long lost childhood sweetheart ( Tarla Mehta), and devotion towards a friend (M Rajan) who has helped set him up in his career. Let me take you now to the 1961 movie Shola Aur Shabnam, which had the first major role by Dharmendra though he had acted in two movies before that: Dil Bhi Tera Ham Bhi Tere and Boy Friend. Or from Guru Dutt’s movie Kaagaz Ke Phool: Utane rahe pyaase ham jitani bhii pi hamane Haal ye hai masti kaa, saans lagi thamane
Or, from Kohra (the song picturised on Biswajeet’s first licentious wife, before he married Waheeda rehman): I am fond of giving this example from Hanste Zakhm: Rather than trying to impress you with the different and complex words in the Urdu language, he’d rely more on the play of words. I like Kaifi’s lyrics and poetry for one unique quality: he’d use very simple words to convey very strong and deep thoughts. Kaifi Azmi was a known poet in the mushairas of that era and as late as in 1970, when I was studying in Government College Dharamshala in Kangra District of Himachal, I heard him in a mushaira in our college. His daughter Shabana is a celebrated actress in Hindi movies and son Baba a cinematographer. He was born in a village Mizwaan in the district Azamgarh of Uttar Pradesh. His real name was Sayyid Akhtar Hussein Rizvi. Today, we start with the third great lyricist: Kaifi Azmi. So far, other than Shakeel Badayuni whom I haven’t given any number (how can I give a number to my all time favourite and the best poet and lyricist?), we have taken up Shailendra and Rajendra Krishan.
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